The good will always win

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At least that is what the winners will tell us

By Elliot Chan, Opinions Editor
Formerly published in The Other Press. March 17, 2014

To paraphrase Winston Churchill, or whomever he originally heard it from, “History is written by the victors.” Regardless of who said it first, the idea is probably as old as history itself—and still the statement is ever so true. We just need to look at contemporary situations to understand that we are in a constant flux for power, and there is no simple, peaceful solution in sight; examples could be found on every continent (omitting Antarctica, of course). But should we, as outside observers, acknowledge that whether the result may be good or bad for us, the winners are still winners and should therefore be respected?

We all want to change history for the better, but what might be better for us may be worse for someone else. Let’s look back to the birth of our nation—the genocide of aboriginals. We are of course now living in a society that is the consequence of that act. For us, it no longer feels like that big of a deal, because we weren’t there suffering or struggling through the backlash of the incident.

The same goes with the Chinese head tax, which was a fee introduced in 1885 to discourage Chinese immigration. Although, I’m of Chinese descent and feel the redress offered in 2006 was a small step in the right direction, it was far from resolution. But I also feel slight passivity to fight for that cause, knowing the struggle it takes to get any recognition from the government, let alone an apology.

The people in power today are ploughing forward without taking a look back at the mess they’ve made. We are not learning from our history, but not only are we not learning from it, we are using the history itself to intimidate. The winners of the past have become bullies of the present and that is evident in the Crimean crisis in Eastern Europe.

With so many diverse groups living together and such rich history on all sides, no one is willing to back down. Will there ever be harmony in that small patch of the world? Perhaps. But if we just glance slightly to the south and a smidgen to the east and see the endless dispute in the Middle East, we can say that resolution may never happen, because a victor is never crowned. Peaceful solution simply doesn’t exist, it cannot exist. I’m not just saying this because I’m pessimistic about the human race, but because history is not built upon handshakes and compromises—it’s built upon winners and losers.

The downfalls of Pol Pot, Adolf Hitler, Fulgencio Batista, and Saddam Hussein, to name a few, are all examples of how the losers have paved the way for the winners. There were no handshakes—there were only executions and suicides. Ask yourself, is it likely that Kim Jong-Un and the North Korean dictatorship will simply wake up one morning and submit to Western democracy? That’s unlikely. If we want people to behave a certain way, we can rather ask or we can force. One is of course more effective than the other.

We North Americans are lucky to be living in the aftermath, as we clean up our own country and observe the destruction of others. The destruction, as our history has shown, is inevitable. We must also remember that the problems of others are not our fight. We have fought our battle and now they must fight theirs. They must, in a sense, establish their own winners and losers—and it won’t be pretty.

The Report Card: Non-fiction reads

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By Elliot Chan, Opinions Editor
Formerly published in The Other Press. March 18, 2014

Now and then, I step away from my science fiction, contemporary dramas, and classic coming-of-age novels to enjoy something more factual. Non-fiction books allow me to touch base with the world I’m living in through historical texts, biographies, memoirs, and self-helps. I choose these readings of my own accord; they are not textbooks or instruction manuals—but they can sometimes feel like something assigned by an instructor. Non-fictions are never really the sweets for me, they’re the vegetables, and the nutrients I know I need more of. But, which do I relish in, and which do I spit in disgust?

Pass: Memoirs

Only recently did I start reading memoirs. I used to think the ramblings of a famous actor, politician, athlete, or public figure weren’t worth my time. I would rather spend an afternoon reading about wizards or revisiting my homework than reading about someone else’s success. Hell, if I wanted to know more about the person, I would read their Wikipedia page, right?

Not that I’m wrong, but memoirs offer a subjective lens into the person’s life that is otherwise lost in a biography, or Wikipedia page. Reading the words of someone not known for their writing ability is quite an evocative experience; it’s as if you are hearing their story through their own lips. You can see the way they colour an aspect of their life, while hiding details in another. You can feel what matters to the person in that moment, what they wanted to communicate about themselves to the public. And if the memoir is done well, it can definitely inspire.

We all possess the power of choice, and whether we like the memoirists in the real world or not is up to us. The magic of a memoir is that, even if we dislike the person, we can see through their eyes for a moment and recognize the struggle they went through to achieve what they have. A good memoir highlights the failures along with the successes, and proves to the reader that what they’ve done might not be achievable for everyone, but it was for them—after all, they lived to tell the tale.

Fail: Self-helps

I’m having trouble buying into the billion-dollar industry of self-help books. I’ve read many in my life thinking that it was the solution to my problems. I believe many other people pick them up for that same reason. Whether you’re trying to live in the moment or explore a diet, reading a book is not going to help you do it. Self-help books are temporary distractions by design. They might provide guidelines for achieving goals, but they do little to convince you you’re doing it right or that your efforts are working. The books don’t even get you to put in effort at all—their motivational power is limited.

You cannot read a manual on fixing computers and instantly become an expert. Your brain simply can’t retain all that information; same goes with self-help books. You cannot read a book and ask if you are happy, or if you’re fit, or if you should have children, and find the answer. Self-help books are someone else’s ideals and reality presented to you in the form of a product—you’re just buying it first and then being convinced after. You wouldn’t join a cult just because it tells you that it can make you happy, right?

There is a lot of value in self-help books, but it’s the presentation that ruins it. Success is not a chapter-by-chapter thing; it’s more of a choose-your-own-adventure and learn-from-your-mistakes kind of thing—and that is what self-help books are not.

The boob tube

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Television’s bait and switch tactics are working too well

By Elliot Chan, Opinions Editor
Formerly published in The Other Press. March 19, 2014

Any good salesperson knows that in order to sell a product, they first need to catch the consumer’s attention. Television, for lack of a better word, is a marketplace and you’re the customer who’s passing through. Since you’re just passing through, or channel surfing if I may, you don’t have time to linger and enjoy six seasons of anything, let alone one with multiple character arcs and complicated plot twists. Solution: nudity!

Sex sells. It’s not just a phrase used in advertising, but a legitimate formula for commercial success. But by applying this tactic repeatedly, like so many independent broadcasting networks and entertainment providers are choosing to do, the content itself turns into one of two things: pornography or satire.

Don’t get me wrong, I love nudity. I can appreciate a well-photographed love scene and smut on different levels. But I also believe there is a time and place for it. The audience should be able to control their own intake of controversial images. Once I’m hooked to the storyline, there is no reason to overindulge me with unrelated nude scenes. I care more about the progression of the storyline, the plot, and the characters’ expositions, than some attractive female lusciously draped over the screen—at least for now.

No, I’m not a prude or immature, but we all have a perv-side to us—that’s why sex sells. We have all experienced sitting down as a collective to enjoy a show with explicit nudity peppered throughout. When nipples appear on the screen, a few things could happen: either the room hushes up with slight discomfort, or someone will break the silence with a blatant statement addressing said nipples, and laughter might or might not ensue. Regardless, that little pulse of misplaced horniness is harmful to the storytelling.

Sure, it might be the artistic direction to include sensible nude scenes; there are many reasonable situations to showcase boobs, etc. But it’s clear that certain producers, with the intention of getting the largest viewing audience possible, are jeopardizing the artistic craft of filmmaking by pumping more nudity into the shows, thus turning an adult drama into soft-core porn.

Naked women should not be used as props to engage an audience. They should not be strategically placed in the background, while main characters discuss betrayal. They should not appear randomly to seduce the leading man only to disappear, never to be seen again. They should not be used to arouse or tease an audience without justified reasons. Am I angry that sometimes they are? No, not that angry, but when I see some of my favourite shows subjected to these low level bait-and-switch tactics to garner more viewers, I feel ashamed to like the show—and I know that true fans are not watching to see Lena Dunham naked or the next Westeros femme fatale.

We love the stories, we love the characters, and we love the fact that the show isn’t some homogenized Canadian show about life in the Prairies. Television producers should understand that by using nudity as a lure for viewers, they are only misguiding people, offering them something that is unsustainable on television and that there is already so much of on the Internet.

Advertisement, a reason to sell-abrate

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An Opinions article brought to you by the ‘Other Press’

By Elliot Chan, Opinions Editor
Formerly published by The Other Press. March 18, 2014

I’m not an easy sell and I’m not a compulsive buyer. I can’t be—I wouldn’t survive if I was.

I work hard to earn my money and I choose to spend it on the things that I enjoy and with the people who I like. But I’m also reasonable; I budget wisely and do my best to avoid falling into debt. Many may consider it a marketers versus us game of tug-of-war with our paycheques, but I don’t see it that way.

I appreciate advertisements, because they aren’t pick-pocketing me on a busy street. They’re presenting the value of a brand in a way that might or might not attract my attention. Sure, advertisements are biased and appeal on many different levels, but as someone who understands the value of a dollar, you better appeal to me or I’m not buying.

Advertisers are not competing against us, but against other brands. So where some people say there’s too much product placement, I say good. It should be survival of the fittest. After all, advertising is art with a clear purpose.

I know it’s annoying to sit through those five seconds of commercial before your YouTube video, and I know it sucks to listen to the rambling of voices attempting to sell you something on the radio when all you want is some Beyoncé, but the alternative is having to pay for the services. God forbid I cough up my lunch money for a monthly subscription of YouTube, Google, Facebook, or any other free-to-use platforms that sustain themselves on advertisements. If you ask me, I think we are getting a pretty sweet deal.

Companies hate spending money on advertisements, and they hate it as much as we do when those ads are ineffective and annoying. Brands need to know their audience better and thanks to the technology of search engines, they are getting improved results.

I hope one day all marketing strategies will be targeted advertisements. If you show me something I actually want, I’ll appreciate it; if you show me something that is completely useless to me, like a diaper commercial, I’m just going to wait patiently for the baby to finish falling over and acting cute.

It does feel a little bit like Big Brother, knowing everything you do is recorded by a league of marketers. Still, if Big Brother knows that I’m searching “how to fix my plumbing” on YouTube, then Big Brother can rightly assume that I’ll need to find a good hardware store nearby, as well.

Our privacy is compromised regardless. Don’t be fooled, even your dirty Snapchat pictures can be recovered if you tried hard enough. But this is just the world we live in now and we can’t meet every technology and intelligence with paranoia.

Public places used to be train stations, shopping malls, office buildings, and school campuses, but now the Internet is a public setting as well. Advertisements are going to extend from the billboards you see on the streets to the iPhone app you look at before you go to bed. Embrace it. Adapt to it. And celebrate that we live in a time where we have a choice—because we are the ones with the power, not the brands.

How the Sacred Movie-watching Experience Survived the First Round of Extinction

When I graduated from film school in 2008, the landscape of the entertainment industry was changing, morphing with the technology and trying to catch up to new innovations.

Young filmmakers, like myself, anticipated the expiration of television and were just starting to accept all that YouTube had to offer. Meanwhile, grand cinematic spectacles were calling attention, i.e. Avatar in 3D. Yes, it seems as though there was going to be a whole spectrum of viewing habits.

But will movie watching experience be as sacred as church? Or was it going to be a secular pastime, one we try to catch up on like talking to an old friend at a party or a novel on our nightstand?

Inspired by the recent Oscars, I give you the five nominated movie-watching experiences as voted by me—nope, not movies, but movie watching experiences.

NETFLIX

For a while Canadians were reluctant to subscribe to Netflix, mostly out of envy—subscribers from the States were getting more than three times the content—but the on-demand-movie-and-television service suggested that if more people join Netflix, the more content it can generate, both by hammering out legalities through traditional licensing models and by producing their own shows.

House of Cards, Orange is the New Black and Arrested Development won many viewers over, and once they got hooked to the binge watching lure of Netflix—it’s not so easy to quit.

TORRENT/STREAMING

The pirated movie and television distribution market is competitive market, albeit an illegal and risky market. With memories of Megaupload still fresh in many downloaders and streamers’ mind, this well-known paradigm is still one that most are treading lightly on.

While many consider this method to be a hassle, others consider it the most reasonable. Viewers are paying by sending traffic to the hosting sites, dealing with pop-up ads and the occasional glitches in download and streams. “Just let it buffer!”

The “no honour among thieves” mentality lives on in this movie watching experience that have existed since the dawn of the digital era. As long as the leaches and seeders continue feeding off of each other, this category will not disappear anytime soon to the chagrin of the big media companies.

APPLE TV and WEB-ENABLED TELEVISION

Bridging the gap from your phone and computer to the television—this relatively new all-in-one model is bringing viewers back to the couch. At least that was the plan.

Unfortunately I don’t know many people who use Apple TV, or even consider getting it. The living room battleground is a tough one to win, even for a trusted brand like Apple. After all, just look at all the different boxes and consoles you have under the television. Needless to say, there is still a lot of convincing needed to prove that cable is obsolete and that the video game consoles won’t suffice. But I think that is just a matter of time.

REDBOX

Since the closure of many video rental stores, Redbox have been the alternative. Standing tall, proud and unobtrusively at a grocery store, the video vending machine offers hot new DVD releases the same way ol’ Blockbuster used to. Comforting to many and laughable to some, Redbox fulfills a service that is still in demand.

As a result of having a secret Santa that no longer cared for the physical medium, I received an arm full of DVDs and BluRay last Christmas. I still relish the nostalgia of DVDs. Seems like just yesterday my family was arguing whether to buy a HD DVD player or a BluRay player, I’m still not sure if we made the right decision. Unlike VHS, DVDs have a bit more to offer in terms of bonus features. And they are compatible enough to remain an impulse buy. But being compared to VHS is never a good thing.

MOBILE

We watch movies everywhere: in bed, at work, on the bus, at a coffee shop, on the john and even in the movie theatre waiting for the movie to start. Personally, I can’t watch a three-hour movie the same way I check my Tweets. But content on the go is what the public wants.

Last year’s study by Motorola Mobility’s Fourth Annual Media Engagement Barometer showed that 55% of smartphone or tablet owners have downloaded and stored movies and TV shows onto their devices. There is so much content in the world that if we were to spend every living moment watching something new, we would not do anything else. Mobile devices are fostering that challenge and allowing people to consume on the go, in addition to hoarding content.

As much as filmmakers want to get people into the theatre, they must also consider the other audiences, and choose to whether nurture the new platforms or not. We’ve come a long way in five years—who knows where we’ll be in another.

The Report Card: Education

By Elliot Chan, Opinions Editor
Originally published in The Other Press. Mar. 11, 2014

Education is akin to medicine, nutrition, and fitness; it’s a vital part of being a person. But knowledge is not about being smarter than the person beside us, it’s about mutual support. In post-secondary, we are forced to think and learn with a competitive mindset—we’re all battling for the best life possible, after all. But for other students, it’s more than simply getting good grades, graduating with honours, and applying for work: it’s about surviving and creating normality. Blessed or cursed, the willingness to learn is what defines us in the end.

Pass: Supporting inmates

We all make mistakes—some more haunting than others—but we must be afforded the opportunity to redeem ourselves since capital punishment is not an option. If you think it’s hard to bounce back after your GPA drops, try bouncing back after receiving a criminal record. Certain doors are closed after that, so it’s even more important to support our inmates as they attempt to make the transition from criminal to lawful civilian.

The current correctional and educational services offered by the Canadian government are available in institutions of all levels (minimum to maximum security). Everything from teaching basic grade school-level knowledge that helps inmates deal with daily problems to vocational education that teaches them certain trade skills.

These initiatives help inmates put their best foot forward the day they leave their correctional facility.

We, as poor college students, may often feel the injustice of having to take student loans and work extra shifts to pay for our own education—leaving us exhausted and in debt; we also begrudge the fact that our tax dollars are paying for the education of criminals. That is a disgusting thought to many people. But that notion in itself is disgusting. Poverty and crime go hand in hand, and the solution for both is education. The same way we offer shelter and food for the poor, we must also offer education and support for the troubled.

Fail: Pressuring prodigies

Our strengths give us pride. Those are the attributes we showcase to employers, friends, and especially our parents. But focussing only on our strengths at a young age, in the way prodigies are often treated, causes the loss of a lot of substances and the sensation of growing up in a modern world.

Today, it’s less about what you know and more about who you know. I believe the prodigy model is fading. Young geniuses are often introverted and reserved, and have shown signs of autism and other social deficiencies in addition to their brilliance. Organizations today are built not with a nucleus, an overruling boss who makes all the decisions, but rather a functioning support staff that contributes to finding solution for every problem that arises. Prodigies not only need to understand complex mathematical concepts or the majesty of music, they must also learn how to interact with others. Therefore, we should avoid pressuring prodigies.

We must nurture talent, but talent does not have to be a single-lane career path. A talent can also be a hobby or an enjoyable pastime. We often preach, “Do what you are good at,” but I believe we should do more than we are good at, we must attempt what we are shitty at as well. We must teach modesty, keep prodigies grounded, and avoid positioning them on a pedestal. Teaching talented individuals to overcome adversity in the form of challenges is support in a different way, and is equally valid.

Unhaggle | How Much Should You Spend On A New Car?

Posted by  | February 27, 2014 |
Ghost written by Elliot Chan. Originally published in Unhaggle.com 
Life is full of those little magical moments and buying a new car is one of them. Whether it’s a Lexus IS or a Honda Odyssey, you have envisioned it for years: the make, the model, the features and even the colour – especially the colour. But, one thing you probably haven’t considered much was how you were going to pay for it. After all, a car is a big chunk out of your piggy bank, so make sure it doesn’t cost more than you can afford.

Gross Income Ratio or Debt-to-Income Ratio

We all have financial obligations: mortgages, credit card bills, rent and other loans. But if you strategize properly, you can fit a car into the ebb and flow of your monthly payments. Start by measuring your gross income ratio.

Add up your revolving monthly debts, these consistent payments are a reliable marker, showing you how much you need in order to sustain your lifestyle. After that, divide the total by your gross monthly income. The result is the percentage of your gross income ratio or your debt-to-income ratio.

For example, if your revolving monthly debt is $600 and your monthly income is $3,000, then your gross income ratio is 20% (600/3,000=0.2). An affordable car that keeps your gross income ratio healthy should prevent it from exceeding 36% after including car payments, according to Consumer Reports. Meanwhile, MSN Auto suggests that owners should not exceed 15%.

Find a happy medium for yourself – since your debt should never exceed 75%. You’ve been warned.

Calculating these figures may feel like punishment, but it’s far from difficult – there are simple online calculators to help you figure out the important numbers.

Down Payment

Ideally, 20% has always been the conventional amount for the down payment (the initial payment, whether in cash and/or trade-in). But it is always better to put down as much as you can, just to avoid the fact that it might come back and bite you later.

That being said, many new owners are choosing to pay a lower down payment. One reason is because the interest rates a getting lower, people are not pressured to pay right away. Don’t follow the trend – car depletion is as inevitable as paying for insurance, gas and sales tax. Less only means you pay more in the long run.

There are many useful tools online, such as this down payment calculator that will help you decide how much you are willing to spend right from the get go.

Monthly Payment

If paying right away is not a viable option, you may consider taking a loan or leasing the vehicle and paying for it every month. But with monthly payment comes interest and that is just something that you’ll need to add on.

So, how much can you afford if you do choose to pay in monthly instalments for your car? Well, the financial experts at Consumer Reports did the math for us (well, at least, they found the formula). Begin by calculating 36% of your gross monthly income. Then add up your monthly payments including mortgages, credit card bills, etc. Subtract your debts from your gross monthly income. The difference is how much you can comfortably spend monthly on your new vehicle.

I’ll use smaller numbers for our example, lest I confuse you more. Let’s say your monthly income is $3,000. Then $1,090 is 36% of your gross monthly income (1,090/3,000=0.36). Now, let’s say you have $500 in monthly debt (1,090-500=590). If the math is correct, then you’ll know that you shouldn’t spend over $590 a month on your car.

Other Considerations

Before you go off and purchase your vehicle, it is also important to note the extra fees that will undoubtedly cost you. Sales tax, registration fees and insurance premiums may cost you 10% more.

There are many things to consider when buying a car that might complicate the whole process and make you sick. If you want to forego all this math and simply want to recognize where you are in the car buying ladder understand the following rules:

The 50/50 Rule

If you make $40,000 a year, you can afford a $20,000 car. Half of what you make.

The 20/4/10 Rule

This rule suggests that you pay a 20% down payment, finance the vehicle for four years and never have the total expense of the car go over 10% of your gross income.

Only (child) the lonely

By Elliot Chan, Opinions Editor
Formerly published in The Other Press. March 4, 2014

I was a late-bloomer, in the social sense. As a child, most of my time was dedicated to television, artworks, or other solitary enjoyments. My parents were too busy with work to entertain me, and my cousins lived too far away for weekday visits. Yes, being an only child was a lonely endeavour. If it wasn’t for my imagination and my ability to outgrow my shyness, I would not have been able to survive my teenage years, let alone my adult years.

As I watch my parents age and my own responsibilities pile up, I wish I could turn to someone for support; a person who could relate to my family’s erratic behaviour and me; someone to talk to without having to explain a lengthy life story; someone who understands mom and dad’s expectations and their tendencies; someone to vent to without feeling the judgmental reverberations.

My parents rely on me for many things, and often times it seems unfair that all their hopes and dreams are now placed upon my shoulders. As an only child, I’m all the eggs in one basket—and they know it as well as I do. I know that having siblings comes with minor annoyances: you’ll have to wake up early to fight for the bathroom, you might not get seconds for dinner, and you might need to move out earlier because your parents can no longer support all of you financially. Those who are an only child face a psychological challenge. I call it “I never asked to be born” syndrome, where the child has to decide whether to do what their parents want them to do or to live their own life. That syndrome is evermore present in only children.

I’m well-aware that when mom and dad are gone, I might be the last branch extending out in an obtuse direction from our family tree. That’s a scary thought, one that only those without siblings can understand. All the affection, all the care, all the attention we received our whole lives will vanish. Memories of family dinners, vacations, and other snippets of normality growing up will be lost—should I allow it to be.

Now, I’m not saying that I want a brother or a sister. That is not a decision for a son to make, nor did I ever pressure my parents to conjure up a playmate for me. From my experience, it’s a flip of the coin on whether you’ll actually get along with your siblings. Regardless, I think a bond between siblings is sacred; they endure the test of time. I find myself attempting to replicate that relationship with my friends and my cousins, but since most of my friends and cousins have siblings and families of their own, the sensation is far from authentic.

A family has a gravitational force that pulls all the beings together. An only child suffers the fate of orbiting alone, like the moon around Earth. Insignificant to the universe, but vital to the planet, we can only wonder what life would be like if there was another.