Be Right Back: Black Mirror, Did it Age Well?

Before we discuss Be Right Back, let’s rewind and take a look at the world when this episode was first released: February 11, 2013. 

Human existence didn’t end on December 21, 2012, as predicted by the Mayan calendar, instead, the world kept spinning, and the new year brought a lot of optimism. 

The scientific community had some breakthroughs. Gene switches were confirmed, proving that certain regulatory proteins in organisms can bind with genes and, thereby, turn them on and off. 

2012 also marked the end of a 40-year search for the Higgs boson. Discovered in the world’s largest and highest-energy particle collider in Switzerland, the Higgs boson, also known as the God particle, is said to be the cause of the Big Bang.

In 2012, Instagram was only a two-year-old photosharing app that allowed you to add fun filters, far from the social media giant it is today. Facebook purchased it for $1 billion in cash and additional Facebook stocks, and by September, the app had over 100 million users. But there was an upstart called Snapchat that was hot on its tail. 

Tablets were the new technology battleground as iPad, Kindle Fire, and Windows Surface were all duking it out to be consumer and industry standards. 

The United States Department of Justice seized and shut down the one-click hosting service, Megaupload, and its derivative websites, striking a big blow against digital piracy and marking a pivotal moment in the campaign for Internet freedom. 

In 2011, artificial intelligence came into its own. Siri was introduced to the latest iOS update, and IBM’s Watson won Jeopardy, beating out former human champions: Brad Rutter and Ken Jennings. This new leap opened a lot of questions about our relationship with artificial life, and whether they are “life” at all. 

All this happened while mental illness and addiction continued to rise. In 2012, approximately 43.7 million adults in the United States experienced mental illness in the past year, representing 18.6% of all adults in the country. 

Now that we recall the state of the world entering the second month of 2013, we can talk about Black Mirror episode 1 of season 2: Be Right Back. 

Did this episode age well? Are the themes still relevant? And have any of the predictions come true? If not, is it still plausible? 

Let’s find out.

The Reliance on Humans and Technology

The episode opens in the pouring rain at a transition. The young couple, Martha and Ash were moving into Ash’s old family home out in the country. It should’ve been a beautiful beginning — a new life — but tragically, the very next day, Ash dies while returning their rental truck. 

Alone in a new home and pregnant, Martha is now faced with a daunting reality. Who will be there for her? 

As a society, we’ve been more isolated than ever, causing us to self-medicate like Martha or become addicted to social media like Ash. There are now so many ways to distract us from our need to seek human support. 

In 2020, when we were locked down during Covid-19, deprived of our option to see others, a national survey reported that excessive drinking increased by 21% and Internet usage increased by 50-70%, with 50% of time spent on social media.

At any point, we can be left alone. This a scary thought, because the truth is, our dependency on others has not changed. As advanced as technology has gotten, having gone through these past couple of years of pandemic life, we see that it’s still failing to serve our emotional needs. 

Intimacy was something else Ash and Martha’s relationship was dealing with, whether it be their inability to satisfy each other sexually or coping with existing trauma. In many ways, they were an apt reflection of modern-day relationships. 

A study published in 2021 by the National Survey of Sexual Health and Behavior showed that adults and young people in the US were having less sex than the previous generation. While the reason is nuanced, a theory is that people are spending so much time on social media and video games, that they are connecting virtually more than sexually. 

In additional qualitative research, women surveyed claim that they are often “too tired for sex”, and that “they had so much else going on in their lives”. 

We all need something to lean on, and with the rise of community and messaging platforms, there are more safety nets than ever. But are they really safe? Are we putting our reliance on the right platforms that won’t exploit us? Have these measures made us inattentive and addicted?

Our need to share is an essential part of what makes us human. At many poignant moments in this episode, the characters try to share their experience with others. Ash began by needing to share on social media, and Martha then needed to capture the environment in order to share it with the artificial Ash. 

The tragedy after Ash’s death was that Martha continued to live in the house full of her boyfriend’s old memories, memories that the real Ash would never be able to share with her. Robots don’t have the need to share authentically. When they do it tends to be awkward reminders of cringey moments, such as Facebook’s On This Day Feature, which brings up embarrassing pictures from the past with no context. 

In order to protect our mental health many have removed social media or gone on detox. But those are only platforms, we may be addicted to them, but we aren’t attached to them. What if these relationships with AI run deeper? What if it doesn’t work out? How do we divorce them? How do we delete them? How can we avoid becoming trapped by them like Martha was when her daughter became reliant on the artificial Ash as a member of the family?  

The fear of letting go is engrained in us. Even if something isn’t working, it is much harder to lose it than it is to keep moving forward and adding on. We feel this way for people, and we can feel this way for technology. 

Instead of removing the technology, we keep innovating protective measures, often creating more in progress. A case and point is a car that requires the driver to lock away their phone before driving or in reality, a feature on your iPhone that forces you to click a button to operate it while driving. Is it effective? Not really, all we have to do is lie, but it’s a start. There is no removing the technology; we must coexist with it. We create something, encounter the harm it does to us, and then invent something else to protect us from it. We set the snakes loose to eliminate the rodent infestation, only to be infested with snakes. 

Artificial Intelligence and the Rise of Deepfakes

The advancement of artificial intelligence in the past decade is impressive. From voice assistants such as Siri, Amazon Dot, and Google Home to facial recognition on smartphones, AIs are now integrated with our daily lives. In doing so, they are learning a lot from us — and about us. 

Many had voiced concerns, including Elon Musk, who said in an interview in 2014: “I think we should be very careful about artificial intelligence. If I had to guess at what our biggest existential threat is, it’s probably that. So we need to be very careful with artificial intelligence.” 

Since 2016, many guidelines have been published regarding the control and regulations for managing the associated risks of deploying AI. Artificial intelligence doesn’t need to be evil. Much like how artificial Ash obeys Martha’s every command even when it frustrates her, an AI will follow its operative goal without any emotional restraints. If they need to fake emotions, they won’t feel guilty doing it in order to deceive us or appeal to our human weaknesses. 

Robots programmed to replace factory workers are old news, but how far away are they from replacing roles that require more social aptitudes and soft skills such as communication, empathy, and creative thinking? Martha’s job as a designer is a fun area to explore in that sense.

Many in the creative field today are wary of how AI has penetrated the market, replicating art styles and generating ideas and rough concepts of their own. Give an AI enough data, and over time, it’ll be capable of creating its own version, whether it’s a script, design, or video. 

Machine learning models like Dall-e and Midjourney can generate unique content with simple keyword descriptions. These new tools allow people with no technical skills to produce quick images to help communicate. Will it soon render the jobs of designers and creative professionals redundant or will it just be another asset in their toolbelts?  

Related to the episode’s theme about replicating another person, deepfake technology has made huge advancements in the last decade. What began with Internet memes of Nicolas Cage’s face swapped onto different movies, deepfakes were soon used to generate pornography and facilitate financial fraud. 

Black-and-white use cases were established for this type of technology. A white case for deepfake is how Hollywood can use de-aging to make actors look younger, such as what they did for Robert Deniro in The Irishman. However, there are still some gray areas. 

The use of AI to bring back the dead is at the core of this episode. One of the most controversial uses of deepfake was in 2020, when a victim of the Parkland shooting, Joaquin Oliver, was brought back to life virtually to advocate gun safety in a political campaign. 

This event calls to question the method of acquiring consent for deepfakes. In 2018, US Senate introduced the Malicious Deep Fake Prohibition Act, leading to many more bills to prevent the use of deepfake without the consent of the real subject. Since then, Internet platforms like Facebook, Google, Discord, and even Pornhub had taken action to ban all deepfake content, as many of which were deemed non-consensual, fueling the arms race between deepfake detection and deepfake production.

That’s the first of many ethical questions for legitimizing AI replication: does the person who is being replicated — in life or death — approve? Would Ash want to be brought back? Or would he want Martha to move on without him? Does he even have a say? 

The Dead and the Never Alive

The creator of Black Mirror, Charlie Brooker, came up with the idea for this episode when he was considering removing a deceased friend from his contacts and feeling “weirdly disrespectful”. 

Just because something is digital, doesn’t mean letting it go is any easier. How we handle death in this new age is fascinating, as this is something that social media platforms have had to reckon with. Take, for example, how Facebook allows you to appoint a legacy contact to manage your account after your death or allows your account to be deleted after your death had been notified. Consider it a social media will.

There is still a lot to learn about death, even with the advances in medicine and cryogenics. What does death really mean? See, the thing is, when we are freshly dead, our brains are still functioning. Bringing someone back from the dead once felt like a miracle, but we now know that after breathing stops, the brain will still have some activity, and hours can pass before someone is fully dead. If that’s the case, under ideal circumstances, modern medicine is currently able to bring someone back to life. 

Will there come a day when we can upload our brain to a server and preserve it for the future? Maybe, but neural scientists are still trying to understand how much information a brain can hold. How can we find a large enough storage when we don’t know how much is there? 

The search for immortality continues, and when the technology becomes available, there is no doubt it will be commercialized. If we are willing to pay outrageous prices for funerals, imagine how much we would pay to bring someone back.

Grief is an overwhelming emotion, and regardless of how well we prepare, when that painful day finally strikes, it can leave us reeling for weeks, months, or even years. We look for ways to dampen the horrible feeling, and while holding on may give us some temporary relief, it’s rarely the solution. In our moments of vulnerability, that’s the message we must remember. Will the solution help us move on, or is it holding us back, trapping us in the stages of grief? A helmet for a harmful pursuit. 

Since the release of Be Right Back, there had been many representations of AI in pop culture, from Scarlett Johansson in Her in 2013 to Alicia Vikander in Ex Machina in 2014. In 2016, Sophia, a humanoid robot developed by Hanson Robotics in Hong Kong, was introduced to the world. While still a bit freaky, Sophia is programmed to provide care for the elderly and, over time, gain social skills. 

Also in 2016, Miquela, aka Lil Miquela, a CGI character and virtual influencer, amassed millions of followers on Instagram. In 2018, Times magazine named her one of the 25 most influential people on the Internet. 

Whether for societal good, entertainment, or marketing, AIs have come a long way from ELIZA and other chatterbots of the 60s. While much of the technology is incredibly convincing and has come close to passing the Turing test, the good news is, as of Oct 2022, none have been able to fool all the human judges. 

Be Right Back plays off a universal theme of loss and rings with a long melancholy note. This episode is a reminder of the soullessness of technology, and while humans can be distracted, self-obsessive, and inconsiderate, those imperfections are what make us human. A world where everything functions off of recycled moments will never be able to fully recreate those unique brush strokes that make authentic interactions surprising, disagreeable, and real. 

We have lost so much in the past decade — lost people and lost trust in people — and while this episode acts as a warning, many of us would happily ignore it and sign up to have a Frankenstein monster of our parents, spouses, children, and friends if such a technology existed. That is why Be Right Back still resonates. It taps into the desperate part of our psyche. 

So how did this episode age? Well, moving on is not easy, and with relics of the past physically and virtually all around us, it’s only going to get harder. It makes us want to scream because as technology advances, we long for some idleness, but as this episode shows, we are already rolling down a slippery slope. 

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Write the First Draft of a Novel in 3 Steps

For some people writing the first draft is the easiest part, but for others, a first draft is never complete. First drafts are where so many of my projects die. Recently I’ve been able to push past that stage and get my projects closer to completion — or at least publication. 

I break my first draft writing process into three different steps so that I can finish the story, get it down on paper, and make sure I’m ready for the second draft. 

Step 1: Write Longhand

When working on a first draft, I find that turning on a computer, locating the file, opening it, scrolling down to the part I left off (which doesn’t take long, but every second counts), and then finally starting is a long time between going to write and writing. This friction daily is enough to throw me off. 

That is one reason why I prefer to write in a physical notebook. All I have to do is open it and continue where I left last. I don’t get distracted by the Internet, I get to take a break from screens, and above all, I can’t easily hit the delete key and erase everything I wrote. 

Writing a novel takes a long time, and when you’re working on the first draft, your goal is getting the story written. You can’t do that if you’re deleting ideas at this step. You need to keep moving forward and figure it out as you go. If you have an outline, keep following it until the end. 

Photo by Nick Morrison on Unsplash

Step 2: Transcribe to Computer 

Now that I have the first draft on paper, I can prep it for the second draft. Some may consider transcribing the story onto the computer as writing the second draft, but I don’t. I don’t plan to make any major changes because I don’t want to put that pressure on the process. My main goal is to experience the story for the first time as an active audience member, not as a critic. 

However, during the transcribing phase, I may fill in blanks or make small changes that I couldn’t focus on while I wrote. When I’m writing, I need to move fast. While I still move quickly in the transcription stage, I do have a bit more time to look around. Updates such as changing characters’ names, attributing dialogue to different characters, or removing repetitions are all small changes I can make without delaying the process. 

While transcribing, I don’t spend too much time editing. But when something critical comes to mind, that’s great! I’ll add it and let future me smooth it out later. Nevertheless, the primary objective of this phase is to get it onto the computer in an editable format. 

Step 3: Read, Highlight, and Comment

Once all the words are on the computer, I can start the second draft and go into making changes. But wait. Editing a novel is a massive project that can be very discouraging. This is a process that will take weeks, if not months. I want to prepare and go in with momentum and a clear idea of what to do each time I sit down to work.

In this step, I read through the whole novel and make comments along the way. Anything that occurs to me, I’d leave a note. This can be something along the line of “describe more” or “rewrite sentence” or “cut” or “can I move this earlier in the story?” 

I don’t need to make the changes at that very moment or touch the delete button at all. I just need to mark down how I felt while reading. I can come back to work on the draft later and get a second opinion. Do I still feel the need to cut or make the change? Or does it read better on the second visit?

Comments and highlights give you a focus when you sit down to work. Without that focus early in the editing phase, you may get stuck adding and removing commas for hours. 

Writing the first draft may sound easy. It’s just one task, write. While that may be true, I believe a process with multiple steps helps me move forward and reach the bigger milestone. Not only do I want to get it done, I also want to prepare it for the next phase. I want to set it up so well that if I die, another person can take all my notes and work on it the way I wanted them to. I see it as creating a plan for myself in the future. And with personal projects, the future me is another person. 

There you have it! That’s my first draft writing process: Finish it, make it editable, and prep it for the second draft. Remember, there are as many ways to write the first draft as there are writers. The key is to find a method that works for you. If you’re stuck, give this approach a try or check out these videos here. 

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What To Do When You Write Yourself Into A Corner

In an interview with Ali Abdaal, Brandon Sanderson, the author of Mistborn and The Way of Kings, shared productivity tips for writers. One that stood out to me was “outline backward, write forward.” By outlining backward, he knows how his story will end, and he can work to fill in the middle and the beginning to get there. This way, when drafting, he will always have forward momentum. 

I love this tip because it’s so effective, especially when working on a complicated storyline like a murder mystery or a thriller with a big reveal. This method allows you to lead your readers to that critical moment while misdirecting them with red herrings and weaving a story full of twists and turns. The better you know your direction, the better you can deliver a satisfying yet surprising ending. 

By outlining backward and writing forward, you have a destination on a map, which is what you want before you leave for a big trip — or start a big project. 

This links with another piece of advice I love, which is that “writing is like traveling at night, all you need is for your headlight to see a short distance ahead, and gradually you will get to your destination.” 

Photo by Christin Hume on Unsplash

As a pantser, I’ve written many stories traveling by a dim light. All I needed was to know where the next chapter was going, and eventually, I’d get to the end. When I write, I don’t always have a destination. I just set out and go. I like it. It’s exciting. When traveling, I like getting lost in a new city. Sometimes that’s the most thrilling experience. Other times you wander into a sketchy neighbourhood and need to get out quickly. The same goes when writing without an outline. It could lead to fun exploration or anxious backtracking. 

Most recently, I’ve been using outlines when I get stuck and write myself into a corner. When people ask me what’s the hardest part of writing, I like to say “Act 2”. The beginning flows easily, and the ending is exciting to write, but the middle is the bridge that holds the whole story together. The thing about my bridge is that it can split off into a bunch of exits, causing me to stray off course. That is if I didn’t have a map. 

When I get stuck, that’s when I’ll outline and figure out how to reach the end from the midway point. Often, I find that I’m not too far off. I’m usually four to five major scenes from getting to the climax or conclusion. What a relief. I’m not as lost as I thought. Thank God for the map for that peace of mind. Otherwise, I might’ve given up. 

Outlining backward and writing forward is not only a great method for starting a project, but it’s also a great tool for getting unstuck. It’s a lifeline that I rely on, regardless of the scope of my story. 

As a discovery writer, I can work on a story forever. I can keep sending the protagonist off on bigger adventures, adding more characters, and giving them more obstacles to overcome, but what’s the point if it doesn’t lead anywhere? 

If you’ve ever watched a tv series and found the first few episodes encapsulating, but then in the middle, it felt repetitive, and by the time you reached the end, your interest was gone? That’s usually the cause of a meandering second act. If you’re not careful with your second act, you can go from building tension and increasing the stakes to repeating scenarios that don’t add to your characters or plot. 

The second act is an excellent point to outline backward and ensure you’re on the right track to wrap up your story. I believe that a piece of solid advice can work in balance with another piece of solid advice. You increase your arsenal of writing tools and knowledge, so regardless of what you want to use, you are well-practiced in using them. 

If you’re a discovery writer like me and you sneer at the idea of starting with a complete outline, consider this: start writing, go as far as you can and discover all the twists and turns along the way, but once you reach the middle, once your character is deep in a crisis, jump to the end and outline backward. See where you want to finish, and wrap up your story. 

Much like being lost in the real world, sometimes it’s better to stop and think. We can keep writing and writing, hoping that more words can get us out of a jam, but even if we do, it’ll be a pain later during the editing stage. To avoid cutting out large passages, outline backward and write forward from the midway point. When it comes to stories, it doesn’t count unless they are finished. So get to the finish line and bring your story home. 

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The Entire History of You: Black Mirror, Did it Age Well?

Before we talk about The Entire History of You, let’s take a trip back to when this episode was first released. December 18, 2011. 

2011 was the year when we started seeing holes in technological security. Major websites, platforms, and industries experienced hacks and breaches, including dating websites Plenty of Fish and eHarmony, which exposed users’ personal data for over two weeks. 

The result of lost or stolen equipment led to the second biggest healthcare data breach, as of 2011, exposing over 10 million data sets. This event included TRICARE, Health Net, and The New York Health and Hospital Corp. 

The 2014 celebrity nude photo leak was the peak of the revenge porn culture. But in 2011, Danish journalist, Emma Holten had her private photos stolen and shared on the Internet. She foresaw how others can be vulnerable like herself, raised attention to the harassment and abuse, and called for action from technology companies, lawmakers, and individuals. It took time, but as of 2021, 46 states and Washington D.C. had passed laws against nonconsensual pornography.

Our personal information was exposed, but our memories remained unreliable. In 2010, paranormal researcher Fiona Broome shared a phenomenon known as the Mandela Effect. She reported that since 2010, about a thousand people have written online claiming that they thought South African leader Nelson Mandela had died in 1980. As of 2011, Mandela was still alive. However, learning the truth didn’t mean accepting false memories. Those adamant that they remembered Mandela’s death proposed theories that we may, in fact, be living in a parallel universe. 

2011 was a nervous time. Reliance on our own brains was decreasing, and our dependency on technology was raising, while the measures to protect us have not. These events set the stage for one of my favorite episodes of Black Mirror, episode 3 of season 1: The Entire History of You. 

Knowing what we know now, I must ask. Did this episode age well? Are the themes still relevant? And has any of the predictions come to fruition? If not, is it still plausible? 

Let’s find out. 

False Memories and Cancel Culture

The Entire History of You is a story about memories. Your memory is your life, but what if you have a device embedded into your head that allows you to record and save everything you see and hear? What kind of life is that?

If you’ve ever lain awake at night, replaying an awkward conversation or a past argument, you know that memories could be twisted to tell whatever story you want. That’s what happened to our protagonist, Liam, as he struggles with his anxiety, career, and marriage. 

Whether he was reviewing his appraisal at work or refreshing his memory before attending a party, anxiety clouded all of his judgments, even though he could view his history. 

This brings up some interesting questions: Are memories merely sights and sounds? Can we even call it memory if we impose a separate feeling on it? A feeling of suspicion? A feeling of nostalgia? Is it still the original memory if we over-analyze and deconstruct it? Without a Grain, every time we remember something, we have a tendency to change a small detail here and there before returning it to the storage in our minds.

Liam questions the faithfulness of his wife, Fi, when party guest, Jonas refers to his past as “hot times” and “greatest hits”. Liam starts digging up the past, as many do today on social media when they seek to shame or incriminate someone. 

An example is what happened to James Gunn, the director of Guardians of the Galaxy. In 2018, after criticizing Donald Trump, a series of tweets — posted between 2008-2012, poking fun at pedophilia and rape — were discovered on Gunn’s account. This event led to discussions on how we should handle these artifacts, and if we were to start scouring through each of our memory banks, can we all say that our histories won’t reveal skeletons? 

While we seek dirt on others, we may find our own. This is demonstrated in the episode when Liam rewatches his memory and sees himself making an off-colored joke with the babysitter present. 

These days, we’ve learned to watch what we post online because anything could be taken out of context. Cancel culture has become an effective weapon against the powerful and unruly, and bad jokes may cause self-inflicted wounds. Take, for example, the story of Justine Sacco. In 2013, upon landing in South Africa, she tweeted: “Going to Africa. Hope I don’t get AIDS. Just kidding. I’m white!” Sacco was vehemently shamed online and ended up losing her job as an executive. 

Jean Twenge, a professor of psychology at San Diego State University, reports that after 2011, mental health issues have “sharpened”. She doesn’t believe the cause is genetics or economic reasons, but rather due to the cultural shift. Over a decade later, The Entire History of You remains to be a great representation of our declining physiological well-being. 

Laws and Lies

The role our memories play in privacy and law enforcement has always been a topic worth examining, and this episode does a fascinating job of scratching the surface and exploring it in a domestic environment. 

These characters are no longer surprised by the external world reviewing their lives as a security measure, although it is still as uncomfortable as taking off our belts and shoes at the TSA checkpoint. 

Today security cameras are planted all over public places, and the devices we carry and wear can track us constantly. But having neuro implants intercepting our thoughts and memories is still in the future. Although, Elon Musk had announced his Neualink technology would commence human testing as early as 2022. Neuralink has been called a “Fitbit” for your brain and will allow a computer to translate your thoughts into actions and records. What it all means for us is still speculative, but the tech is hauntingly similar to the Willow Grain. 

How do we feel about having our lives entwined ever more with technology? How does that affect our privacy with our friends, families, and law enforcement? With greater reliance on tech, we may mistrust other people like the characters in The Entire History of You. If we were to tell our truth without having the confidence to show our memories, then like pleading the fifth, we raise others’ suspicion that we are lying. 

In the first act, Liam was pressured to show his appraisal in front of the group. His refusal to share made it apparent that he was not proud and that it would be evidence against him if he did. 

Later in the episode, Liam demanded that Fi show him the evidence of her infidelity and how she had deleted the memories. This scene brings to mind recent technology that assists with adultery, including the application Ashley Madison, which had its own high-profile data breach in 2015. 

Much like how we can dig into the past, we can now dig into a lie and see how deep it goes. One lie ultimately connects with another, and if we can save all our memories — especially the ones we have a guilty pleasure in revisiting — it is only a matter of time before the incriminating material comes to the surface. 

In the episode, Fi says, “Not everything that isn’t true, is a lie.” And that seems like a message today. Fake news and alternative “facts” show us that there are indeed tiers of truth. The deeper we go, from white lies to pure betrayals, the more destructive it becomes. Once the surface-level lies are unearthed, it’s now up to us to choose where we want to stop digging. 

Even if memories are easily accessible, it doesn’t change the fact that we are still humans. Deception is necessary for our survival. What this episode tells us is that on-demand memory will only complicate trust. It becomes ever harder to let things go, and unless there is clear evidence to exonerate the liar, then this is a world where we will no longer believe words alone.

But this episode poses an argument: Organic memories are unreliable and can be used to trick us. Like the Mandela Effect, we can end up believing our own bullshit. These events have led to mistrials and false accusations, most commonly in rape, murder, and child abuse cases. 

Take, for example, the case of Tammy Smith. In 2006, while she was washing the dishes, her 4-year-old son, Gabriel, was whimpering downstairs in the basement, his right arm injured. During the trial, Gabriel testified, but his inability to communicate clearly led to Tammy being charged with child abuse, 10 years in prison, and Gabriel being placed in foster care. 

Only when Gabriel was a few days short of turning 9, and his verbal communication improved, was he able to share his story. His mother did not abuse him, and his injury was the cause of a broken dryer. A situation like this, and many others, could have been prevented if we were able to see the child’s memory, like how Liam and Fi reviewed their babysitter’s performance by watching the baby’s perspective. 

So what do you think? Do we want technology to be more involved with our security and safety? Yes or no, it doesn’t really matter. It seems like we’re en route to a world like the one in The Entire History of You. Even cars that can detect if you are drunk are in the works. In 2021, during the aftermath of a tragic car accident that took a family of five, President Joe Biden signed a bill that requires Passive Alcohol Detection Systems to be installed in all new vehicles by 2026. 

The Entire History of You is a great jumping-off point for so many conversations around the validity of our memories, the path we take towards singularity, and the complexity of trust and privacy. With such a broad topic, this episode tells a localized story, one incident out of billions. Not only do I feel that this is an episode that has aged well, I think it’s worth revisiting regularly so that we can check in with ourselves and see where our obsession with “the truth” is steering us. 

So much of the trouble today starts with our failure to let go. We are failing to let go of past arguments. We are failing to let go of slights from people we loved and trusted. We are failing to let go of a simpler time. While it’s important to learn from our history, at some point, we must look forward and know that dwelling on the past doesn’t help. 

This episode is a warning. It’s not a warning to the world. No, that we cannot control. It’s a warning for the individual, us. How do we want to respond to this change? How do we want to use the data? Which metric matters? Which memory is worth forgetting? And do we have the strength to move on? 

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