My writing project is big. Too big. And it’s all my fault. Whatever writing advice told me to start small: start with short stories, master the fundamentals, and then move to bigger projects, I didn’t listen.
In one of my previous updates, I mentioned that I’m working on a novel. Guess what, it’s going to be more than a one-off. It’s at least two books, but probably going to be three. A trilogy. Maybe more. I’ve committed to a long game. I wanted a project that could pull me out of the Covid world and drop me on the other side. And I found it. Regardless of what this trilogy becomes, it’s going to be a significant part of my life. For that I’m lucky.
But what I want to talk about today is my awkward process. I’m currently editing the fourth draft of book one, while I’m writing the first draft of book two. It’s awkward because I feel like I’m looking into the future to write and I’m traveling back in time to edit. Unconventional as it may be, I do find it productive. At this very moment, where the world is in chaos and motivation is hard to come by, it’s easier to maintain productivity if I’m active in two separate phases: writing and editing.
When I’m writing, I’m using a different creative muscle from editing. I’m a pantser or a discovery writer, so I don’t do many outlines. My first draft is the outline and I just let it flow.
However, editing is a slog. I don’t take a lot of pleasure in editing. It’s the act of cleaning up the mess that the pantser-writer-me made, and in this project, it’s a big mess. In order to ensure I fully develop the world, understand my characters, and build out the story arc, I’m writing beyond my first book to gain clarity on what I should focus on while editing it.
I also want to keep the structure of my books the same and there was a fortuitous period of the process where I was writing the first and second acts of the sequel while editing the first and second acts of book one. This allowed me to see critical turning points in the stories from both books at the same time and try to spot and create parallels.
Ideally, I’d like this series to resemble each other in form even though the story changes as it goes. I want to be consistent where I can while letting my characters roam free and explore. This process also allowed me to go back and check on all the motivations and scenarios in the first book and make sure they support what the character will do in the second. I can even sneak some foreshadows or other storytelling devices in and hint at the events to come.
Now, I don’t recommend this as writing advice, it really does depend on your goals. For me, this writing while editing is most helpful for my editing process. I am still trying to strengthen the story in the first book and by writing beyond, I gain a better understanding of the world and characters. I can also discover whether or not the characters will achieve their goals so that I can set the tone properly. For example, if my character will face greater hardship in the second book, maybe I can lighten up in the first. Maybe I won’t. Maybe I want the lessons in the first to come into play in the second. These are all still options.
By starting my sequel before I finalize my first, I give myself room to experiment. Since I’m not an established author who has an impending deadline, this is a luxury. By doing this, with a bit of editing in the first book, I can ensure I won’t write myself into a trap I can’t escape from. Little by little, I’ll eventually bring my whole story to a close.
I will probably use this same process to complete the whole trilogy. It sickens me to think how much more I have to do, but getting started on the second book makes me feel like I’m happily invested. It proves to me that I enjoy writing this story. It makes me hopeful that I can reach the end if I just keep moving forward. At the very least I’d have it all written. Once it’s all written, then who knows… but that will be a while from now. After all, this is a big project and I’m in it for the long term.
There you have it. If you’re stuck editing your first book, try writing a sequel. Even if you don’t plan on publishing a sequel, it can help you flush out your story more. And hey, who knows, maybe you’ll discover a better ending. Maybe you’ll discover that the sequel is actually the story that matters.
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