Fifteen Million Merits: Black Mirror, Did it Age Well?

Before we get into Fifteen Million Merits, let’s first flashback to the year the episode was released. 2011. 

In 2011, eCommerce entered its adolescents with $194.3 billion in worldwide sales, compared to $4.9 trillion in 2021. Amazon only had 56,200 full-time employees globally compared to the 1,608,000 as of 2022. 

Metaverse and cryptocurrency, however, were way in their infancy. At the start of 2011, BitCoin was on par with the US dollar for the first time. Ten years later, at its highest point, one BitCoin was worth $64,400 USD. 

The metaverse was still science fiction, as the main reference to the concept in 2011 was the novel Ready Player One. 

American Idol was entering its 10th season, and the hit singing competition show was fading out of relevance and facing stiffer competition as The Voice was released that year. 

In 2011, YouTube allowed everyone the ability to monetize their videos with ads and had no worries about the impending ad-pocalypse.

The exercise equipment company, Peloton didn’t exist yet. And the latest Internet trends were planking and first-world problem memes. 

Now that we’re refreshed on the state of the world in 2011, we can get into Black Mirror episode two of season one: Fifteen Million Merits. 

Did the episode age well? Are the themes still relevant? Did any predictions in the show come true? If not, is it still plausible? Let’s find out.

The Absurdity of Making Money 

Making money and powering the society that we live in is an endless cycle. Fifteen Million Merits begins with the workers engaged in this absurd way of life. Surrounded by screens, whether he’s working, relaxing, or seeking pleasure, the protagonist, Bing questions his purpose. Wealthy because of an inheritance from his late brother, he recognizes all the traps in his fake reality.

Games, pornography, and unhealthy food, these vices still lure us now. App developers, game makers, content creators, and marketers have learned to abuse our addiction to the screens. Whenever we make an online purchase, we must resist being upsold by an algorithm that understands what we want. Every day we pay for our subscriptions to skip ads, putting a price on our impatience. 

What’s the point of staying in shape, practicing art, and earning money when nothing is real? Money means freedom, but what do you buy to get this freedom? 

Bing didn’t care about his merits until he met Abi. He convinces her to enter the Hot Shot competition and buys the expensive ticket for her to enter. He finally feels he has invested in something worthwhile. And even though he subsequently loses her to the corrupt world of adult entertainment, he saves up to have his own time with the judges. He now has something to say. 

Today we are hustling, making money, and growing followers to impress some invisible judges, but what’s the end goal? Who are we doing this for? Are we helping people? Are we sharing an important message? 

When Bing returns to the stage and confronts the judges. He blames them for taking the only real thing he had. Everything else was fake fodder. This is a reminder today, as we spend money dressing up avatars on the Internet to take a moment and question why people want us to do this. Who is benefiting from this? And is there a reason for this distraction? 

The powerful will try to relate with us; they will use our needs, desires, fears, and even disobedience against us. There is always a carrot dangling in front of our faces, whether it’s money, followers, or approval, but the question remains: Where is this carrot guiding us? 

A New Version of Reality

Many have already taken a step into the virtual world by creating avatars on social media, in the metaverse, or on other digital platforms. 

When we create an avatar, we brand ourselves. We’re no longer a number on the screen. We get to be goofy characters or have funny names. While we can choose how we appear, we still can’t control how the world perceives us. 

Perhaps the approach is not to be so different. We should still look like ourselves and hold onto what we know is real. If we are riding a bike, we shouldn’t be so detached; we should make the experience feel as authentic as possible. 

Digital exercises can perhaps keep us tethered to reality while acting like a bridge into the virtual world. We’ve seen major innovations in this industry over the past decade, from the early days of Wii Sports to pricy home workout equipment today, such as a Tonal fitness mirror or Peloton bike. 

While exercising will always require our bodies, many activities will not, and those are the ones that will bring us deeper into virtual reality. Travis Scott’s Fortnite concert in 2020 drew over 12 million gamers. It’s not unusual for people now to go to live events exclusively in the digital world. 

Fully immersive virtual reality is becoming a norm. To connect the physical world with the virtual one, we will likely start with self-contained rooms where people can interact with screens around them, similar to the characters’ rooms. Arcade-style VR games are popping up all over big cities. Other entertainment and community venues, from art galleries to restaurants, are adding immersive experiences to their offerings. Take, for example, the Silicon Valley restaurant, iChina, and its futuristic dining experience. 

We fear the virtual world would make us less human, but, as humans, we often try to escape our dreary reality. 

When Bing is convincing Abi to audition for Hot Shot, she speaks of how cheesy reality can be and how wanting more is cheesy. Ignorance is bliss, and those in power want to keep us happy and distracted. We can’t help feeling a little jealous of the guy enjoying all the idiotic shows while riding his bike beside Bing. He successfully escaped reality and found contentment. In a way, it must be nice to live without that existential dread.

Today we are more conflicted than ever. We question the reality of the news, money, and even people thanks to deepfakes. How is all this dulling our senses? At this time, it’s the virtual world that seems cheesy. Spending too much time there is not typical. But since Facebook changed its name to Meta, a crazy amount of money has been dumped into metaverse technology. And while the technology is still finding its footing, we wonder which company will come out in front? When will remote workers be forced to adopt this tool? If that happens, will we be able to go back, or will we find ourselves too reliant on the virtual world, questioning the value of the physical one? What will become of us when our avatars are the ones having all the experiences? 

The Lure of Fame

In a world where competition is stiff, we tell ourselves a story: we can do it. We are special. We are dedicated. Others have done it in the past, so why not us? Others have saved up, starved, and taken a chance on themselves, and we can do it too. But there’s a concept called survivorship bias, where we only hear success stories. How many have failed and never got a chance to warn others before their voices were drowned out? 

Like art, podcasting, publishing, athletics, and many other pursuits, the world of Fifteen Million Merits is ultra-competitive. Gatekeepers control everything on the screens, giving them full command of the culture. 

When a trend hits its saturation point, the gatekeepers drive up another. After all, there isn’t room for everyone to be a star in the same genre. We see much the same today in the TikTok generation, where everyone feels they can be famous. The reality is that there is only so much room for dancers and singers. If you’re not on the top tier, you’ll need to find a niche or a gimmick. 

In Abi’s naive and vulnerable state, drugged with compliance and feeling the rush of attention, she gets caught up, manipulated, and then agrees to do things she didn’t intend. No one is immune to those pressures and temptations, especially not after all they’ve fought, risked, and spent getting to that spot. 

The encouragement of the world can come from a sinister place. Consider all the Internet influencers who started as gamers, models, actors, or fitness coaches, who then opened an OnlyFans account to leverage a fanbase willing to pay for more. No shame, but know that some choices cannot be reversed and shouldn’t be made with hasty thinking. 

The number 15 in the title is so appropriate. The saying is that, in life, everyone will get 15 minutes of fame. How we capitalize on those 15 minutes will define us. In an age where attention is gold, and everyone is rushing to go viral and become famous in an instant, we all have the opportunity to grow a fanbase and leverage our uniqueness into bigger careers. That is if we don’t run out of time, have others copy us, fail to innovate, and fade into obscurity first. 

In the final act, Bing gives a dark and hilarious performance, turning his suicidal persona into a motivational speaker. Holding himself hostage allowed him to stand out and his unconventional approach made it marketable. He gets attention. He gets to escape his current reality and enter a new one. But is it all worth it, or is it the continuation of an endless cycle? 

Fifteen Million Merits’s satirical depiction of how we are trying to escape our current reality and the Sisyphean grind of capitalism is extremely relevant today. More and more jobs are starting to feel meaningless. The rise of quit quitting in 2022, shows us that our relationship with success and money has changed significantly. 

The idea that one person can stand out among millions is as absurd as humans pedaling to distract themselves from the bars of their cages. However, it also speaks to the power of the collective. While one person biking can barely power a lightbulb, a group biking will be able to power a community. Whether you’re unique or not, it doesn’t really matter. The reality is that we have to work together.

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The National Anthem: Black Mirror, Did It Age Well?

Before we can talk about The National Anthem, let’s flashback to when this episode was first released, December 4, 2011. Things were a little bit different back then…

Politically, the West was feeling strong. Barack Obama was still president. Britain was still a part of the EU. Osama bin Laden and Muammar Gaddafi have just been eliminated from the global chessboard. However, the American government was entrenched in the Wikileaks scandal, and the seeds of mistrust were sprouting. 

2011 was also a year of celebration. Prince William and Kate Middleton got married and the Royal Wedding was viewed by 72 million people on YouTube.

Many big social media platforms were going public or were in the process of it in 2011. Rebecca Black’s “Friday” went viral, and we saw how quickly fame can happen and how the world can relish in a person’s humiliation. 

For those already in the spotlight, social media revealed a lot, Anthony Weiner’s sexting scandal and Charlie Sheen’s #Winning meltdown proved that once the news leaked, there was nowhere to hide. Public shaming became ever more prevalent.

Yes, it was a big transition year, full of optimism, suspicion, and schadenfreude. 

Now that we recall the climate of 2011, let’s jump into Black Mirror (episode one of season one): The National Anthem.

How has this episode aged? Are the themes still relevant? Did any predictions in the show come true? If not, is it still plausible? Let’s find out.

Social Media and the Spread of News

When the Prime Minster, Michael Callow first discovered the kidnapping and demands, his instinct was to stop the news from spreading by putting a D-notice, a request to broadcasters to hold publishing a piece of news for national security reasons. While a measure like that would have worked in a simpler time, it might not work in a social media age. 

Quickly, we see Callow turning into a dictator in an effort to protect himself from embarrassment. While there was pressure to find the princess, he was more concerned with having intercourse with a pig on national television. 

It’s been said that journalism is what keeps a democracy honest and functioning. When a ruler prevents the information from being released to the public, one must wonder how far he will go to tell his version. Today, we see leaders hiding news, censoring social media, and locking up people who speak up. 

If the public never knew the princess was kidnapped, and that there was an ultimatum, then there wouldn’t be any pressure on the Prime Minister to act. Keep the public ignorant, and he keeps the power. We see this all over the world, all the time, from China to the United States. The conflict between government and journalism is a good thing. Trouble starts when both sides are forced to agree with each other completely. 

Our Relationship with Politicians

Now that the news leaked, Michael Callow needs to confront this new form of terrorism. One specifically targetting him. Because this terrorist wasn’t endangering a large population of people, the public as the mass of influence, motivated by self-preservation, can be easily manipulated. 

His wife tells him that they were already picturing it. It’s already happening in their minds. If he allows the princess to be murdered, it would be on his hands. He was so worried about his own shame that he didn’t even acknowledge his wife’s. Even if he could control the public’s opinion, he could never repair his partner’s impression of him in those dire moments. Failing to rise up, regardless of the outcome, he was already ruined.

The boss is the boss, and when shit hits the fan, we expect them to take responsibility. We want a leader who will make the right choices for the people, not just for themself. But rarely do politicians fall on the swords for others. And Callow is no different, even though he finds himself in a damned if he does, damned if he doesn’t scenario — sacrificing himself is the absolute last choice. 

When the kidnapper appeared to cut off the princess’s finger on television, the mood shifted to 86% believing that Callow should have intercourse with the pig. His last hope was to catch the kidnapper and save the princess himself. But, he failed miserably, demonstrating how the government and the press often cross each other up, resulting in friendly fire. 

Today, our political leaders fail us pretty consistently. That’s why in this episode, it’s almost surprising seeing the route that Callow took. In the end, he wasn’t tyrannical. He did the deed instead of amassing more power to defend himself or risk the princess. This leaves us with optimism, maybe there is some good once you peel away all the onion skins of politics. It might be a struggle, but perhaps given the right amount of time and information, they will come to the right conclusion. Yet, perhaps that’s what separates tv shows from reality.

Our Appetite for Humiliation 

If the world is a stage, we want to see the performers miss a line, fall, and completely embarrass themselves. Not much has changed, except now social media has amplified the shame, and everyone has an opinion. 

If you put yourself in the spotlight, you risk the wrath of the world. Name any politician, and you can find a scandal. From Justin Trudeau’s black face to the Finnish Prime Minster caught dancing at a party to Rudy Guliani in the Borat movie, we love seeing those in power in trouble. 

Perhaps no event is closer to the plot in The National Anthem than the David Cameron #piggate scandal in 2015. During the former Prime Minster’s time at Oxford, he allegedly placed his privates into the mouth of a dead pig. This scenario was so similar to the Black Mirror episode that the show’s creator, Charlie Brooker, had to make a statement saying that he knew nothing about the #piggate incident prior and that it was purely a coincidence.  

Politically, the world today is more divided than ever. We have dealt with far more traumatic events than the Prime Minister having sex with a pig. We live in a world where politicians have undoubtedly screwed us over. When this episode was first released, the plot of The Nation Anthem might have seemed laughable. But today, such an event would feel light. It’s not an invasion, a mishandling of a deadly virus, or the non-actions after a school shooting. 

The kidnapping of a princess isn’t so crazy either. Women go missing all the time, regardless of their status. From the death of heiress, Eliza Fletcher earlier in 2022 to Kim Kardashian being tied up and robbed in 2016 to the recent abduction fear of Holland’s Princess Catharina-Amalia, women getting kidnapped, bound, robbed, tortured, and murdered are still very much a reality. 

Overall, I feel The National Anthem stood the test of time, but the impact it once had is significantly dulled. Even though it was meant to be a parody of the TV show 24, it’s now an old joke, somewhat funny, but lacks the timeliness to have any effect. And with comedy, timing is everything. This episode barely fazed me this rewatch, perhaps I’m too desensitized to the bullshit of journalism, politics, and social media. 

This episode reminds us that the government we put so much of our faith in are people — simple people — and they are vulnerable. Like all vulnerable animals, they’ll protect themselves first. So it’s up to us to keep them accountable, regardless of who we are… medical workers, the bloke at the bar, or even their husbands and wives. 

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Mr. Plow or Flaming Moe’s: Which is the Better Episode of The Simpsons?

There are two episodes of The Simpsons that stand out in my mind. These two episodes aren’t the bests but definitely make my top 20 list. I’m talking about Flaming Moe’s (season 3 episode 10) and Mr. Plow (season 4 episode 9). 

These two episodes had a lot in common, mainly they shared the theme of “stolen credit”. In both episodes, Homer encounters good ideas — or rather, stumbled upon happy accidents — only to have the success taken from him by a close friend. In Flaming Moe’s, it’s Moe, and in Mr. Plow, it’s Barney. 

While both episodes are pretty similar, one must stand above the other. Subjectively, one must be better. In this video, I share my thought process in making this very important, very valid judgment. 

But before I get into it, tell me, which one did you enjoy more? Which do you feel is the better episode? Feel free to let me know your reasons in the comments. I love to hear why! 

I also must say that these opinions are just that — opinions. They’re both awesome episodes, or terrible episodes, or whatever you want to believe. There is no wrong answer. Okay? Now that I’m done appeasing you, on with the video. 

The Opening: 

Both episodes begin in the same way, with Homer watching TV. This is one of my favorite opening structures because it always lends itself to ridiculous jokes with no setup or context.  

In Flaming Moe’s, Homer is watching at home while Lisa is having a slumber party upstairs. On the TV, it’s Eye on Springfield with Kent Brockman, previewing the episode, which includes the Silver anniversary of the Springfield Tire Yard Fire, Springfield’s oldest man meets Springfield’s fattest man (who isn’t so fat), an interview with Drederick Tatum, and part seven of the eye-opening look on the bikini. 

Whereas, in Mr. Plow, the kids are watching Troy Maclure in Carnival of the Stars. In this segment, we see Angela Landsbury walking on hot coals and Krusty getting mauled by three white tigers. Shortly after, the kids switched to the Bumblebee Man Show.  

Hilarious, but no context. 

When it comes to the opening scene, I have to give it to Flaming Moe’s. It was an overall funnier segment of Springfield television.

Flaming Moe’s: 1

Mr. Plow: 0

The First Act: 

In Flaming Moe’s, Homer decides he has enough of his children and heads off to Moe’s. However, the tavern is a failing business, and Moe is all out of beer. In a sober panic, Homer recalls a drink he made on a boring night watching his sisters-in-laws’ vacation slides. Blending random household liquids, Homer made a pretty good drink. But when Selma’s cigarette ashes fell into his glass and set it on fire, balancing out the alcohol content, it got even better! 

He shares the recipe with Moe, and the bartender recreates the drink. It’s as good as he last remembered — after it’s set on fire, of course. In order to please another customer, Moe slides over Homer’s concoction, and the customer loves it too! But just when Homer is about to tell the random what the drink is called, Moe cuts in and steals his credit. A shocking moment for viewers. 

In Mr. Plow, Moe’s Tavern is also the setting of the inciting incident, proving that bad stuff happens when you go to Moe’s. Amid a snow storm, Homer attempts to drive home and ends up smashing his car into Marge’s, a hilarious turn of events that nobody expected on first viewing and remains funny still. Suddenly, the Simpsons totaled both of their vehicles. 

The first act ends with Homer attending the Springfield Auto Show, where he eventually gets pressured into buying a snowplow over some sexist gesture from the salesman. So Homer! 

In terms of story structure, Mr. Plow has a more straightforward first act. Very effective, clear, and packed with a lot of jokes. The most notable one is when Homer’s thinking on his feet, coming up with another location that would have him returning home in the middle of the night. And don’t forget about all the antics at the auto show, especially with the one true Batman, Adam West. This opening act is hard to beat.

However, Flaming Moe’s is a quintessential Simpsons first act, because, for the first four minutes, you think the episode will go in one direction, but then it takes a turn into another. A classic Simpsons opening. 

I’ve seen this episode a hundred times, and I still love the twists and turns it has — especially the betrayal right before the first commercial break. Was Moe seriously going to take his credit? Was Homer going to sit there and allow it? 

Beyond the Homer-making-the-drink flashback being one of the most iconic moments in The Simpsons, it also explores Moe’s character in a way that made him human — despicable — but human still. Moe is one of my favorite characters, and I think this episode is a big reason why.  He’s more than just a catchphrase. He’s dark. 

While both these episodes effectively created drama in the inciting incident, it’s Flaming Moe’s that takes the two-nothing lead over Mr. Plow. 

Flaming Moe’s: 2

Mr. Plow: 0

The Slight:

Next, let’s look at the severity of the slight against Homer. Which stolen credit is actually worse? Which is more realistic? 

While the name Flaming Moe’s can be trademarked, the recipe can’t. I’m not a lawyer, but I believe if Homer wants to compete in the market, he can. He didn’t sign any contracts. He just can’t call it Flaming Moe’s, and likely can’t call it Flaming Homer’s either. 

Homer could still beat Moe to the national market and sell the recipe to major manufacturers first. Legally there was nothing stopping him. But he didn’t. Perhaps even while bitter, he exemplified goodness. Or more likely he was too stupid to realize that that was possible. 

When you think about it, the slight had nothing to do with the drink or Moe’s fame. It was about the betrayal between friends. Had some other person stolen Homer’s idea, he might not have been so angry that he hallucinated that person’s face in flowers. No, it wasn’t that Moe stole the drink’s name. It was that he didn’t even ask for it or apologize. 

While the conflict in Mr. Plow is similar, the episode’s structure is quite different. Homer spends the first half of Act 2 growing his snow plow business by using strange marketing tactics, including hijacking a church sermon, planting windshield wiper flyers, and producing a 3 am commercial.  

Homer is struggling, hustling, and still, he’s barely successful. 

To best understand the slight, one must ask how Barney acquired the plow. From Marge’s reaction, we know that plows aren’t cheap. How did a deadbeat like Barney buy one? When you think about it, unless Barney inherited the plow, he’d made the same risk as Homer. And, in a way, should be commended. 

It’s true that plows are most common during the snowy seasons, but many with plow trucks also find work during the summer in construction or for the public. There is work out there for people with equipment. Homer just needed some business acumen to see beyond the obvious clients. 

Much like Moe, Barney took his idea right from under him and sold it better than he could. While the slight is real, it is never about the originality or lucrativeness of the business plan but rather the way it was taken. If, at any point, they partnered up, they could’ve built a sustainable business. 

There were flaws in both of these slights, which were exaggerated for the purpose of comedy. But I cannot ignore Homer’s hustle to grow his business in Mr. Plow and all the belief and effort he put in, despite being a mediocre plowman. That’s why, for the category of slight, I’m giving the point to Mr. Plow. 

Flaming Moe’s: 2

Mr. Plow: 1

The Villian’s Intent: 

Now let’s look at the antagonists: Moe and Barney. Which one is the more convincing and despicable villain? 

The thing is, both were at a low point when they betrayed Homer. Moe’s Tavern had completely run out of beer, while the only work Barney could find was as a giant baby handing out flyers. 

Where they confronted their devils was at the high point. Moe, blinded by fame, fortune, and Aerosmith, ignores Homer when he tries to tell him how he felt and that Moe had lost not only a customer but a friend. Greed and pride had turned Moe into a monster. 

Only when Moe was at risk of losing a beautiful woman did he reconsider his stance on giving Homer a portion of the sale, a conversation that perhaps didn’t need an ultimatum. 

Barney’s darkest moment was during a Plow King commercial when he bashes the Homer cardboard cutout. That’s when we see Barney guided by wrath. Even though he was once a dear friend, Barney wanted to destroy Homer and eliminate him as a competition. 

Fun fact: In the original script, it was Lenny who was supposed to betray Homer and become his plow business rival. It was a smart choice to replace him with Barney because can you really see Lenny doing such an evil act? 

So, comparing Moe with Barney, who is the greater villain? When we look at it from Homer’s perspective, Barney is far worse. Not only does Barney steal his idea, but he also takes all the achievements away from Homer —the clients and the key to the city, which is not made of chocolate — and shames him publically. Barney is far more ruthless. With that, I’ll give the point to Mr. Plow.

Flaming Moe’s: 2

Mr. Plow: 2 

Celebrity Cameos and Musical Numbers:

What makes these classic Simpsons episodes great is the seamless incorporation of celebrity cameos and musical numbers. These two episodes have some really good ones. 

In Flaming Moe’s, Aerosmith makes their cameo as a bunch of guys sitting at the bar and then pressured to perform on a stage that was already perfectly set up. Maybe it’s a little contrived, but what better way to show the height of a venue’s popularity during the 90s than having Aerosmith play Walk This Way? 

What really impressed me was the Cheers theme song parody. I love the old-timey crosshatching style and the way it transitioned right into the studio audience sitcom. The Woody Harrelson character greeting Barney as he entered and the laugh track in the background all flowed together so well. 

Not to be outdone, in Mr. Plow, Adam West gives one of the most memorable celebrity cameos ever. When Bart doesn’t know who Robin is, West goes off on a tangent at the Auto Show, with the camera shifting to a dutch angle, a call back to the old Batman episodes. It was such a clever way to incorporate a guest into the storyline. Using Adam West and the iconic Batmobile in an episode about awkward vehicles is just brilliant. 

Another cameo — this one went over my head because I’m not a country music fan — was Linda Ronstadt. All I know was that she was engaged to George Lucas. While I don’t know any of her original music, I still laugh every time I hear, “Mr. Plow is a loser and I think he is a boozer…” 

Both these episodes have knock-out cameos and musical numbers, but I have to give it to Flaming Moe’s. The Cheers parody, the way the visual and audio all work together, is the element that tips it over for me. 

Flaming Moe’s: 3

Mr. Plow: 2

The Roles of the Family: 

Both these episodes focus on Homer, but the Simpsons family is essential in supporting him. 

In Flaming Moe’s, Bart is such a great character. First, he’s the victim of his sister’s abuse, which is a role reversal. Then Bart acts as his dad’s advocate by sharing his achievement in a show and tell. Later he flips and gets a Flaming Moe’s fan t-shirt. And finally, his phone call prank backfires on him. This is a refreshing episode for Bart, as he shares his father’s plight, making Homer more sympathetic.

Marge’s supportive bedroom scene is one of the most iconic compositions in The Simpsons. It’s so simple, yet so theatrical. And her muted expression only makes it better.

In Mr. Plow, the family is a support system for Homer. The first commercial, an homage to the late-night cable, is one of the funniest scenes in the entire episode. 

The relationship between Homer and Marge is an inspiration for all married couples. First, Homer recognizes that he should talk to his wife before purchasing the plow, however, ends up being manipulated anyways. Then when she confronts him, Homer accepts that it was a stupid decision and that if she were to keep getting angry at him, he would just have to stop doing stupid things. Very understanding. Finally, it’s perhaps Marge’s attraction for Homer and his Mr. Plow uniform that we remember best. 

There is so much to love in both these episodes involving the family, but the commercial in Mr. Plow, where all the family members are incorporated, even Grandpa as Old Man Winter, is what wins it over for me. I love that sequence, especially Bart questioning Homer about being “bond and licensed”. For that, I give the family involvement point to Mr. Plow, which ties it up at 3. 

Flaming Moe’s: 3

Mr. Plow: 3

The Conclusion: 

Now to break the tie, let’s return to the plot and talk about how Homer responds to the injustice and the episode’s conclusion.

In Flaming Moe’s, Homer responded well at first. He was reasonable in expressing how he felt to his friend, but when Moe consistently ignored him, jealousy and frustration started to boil over. Even when Marge attempted to calm him, it only sent him deeper into a mental breakdown. 

Once he spiraled out, Homer revealed the secret ingredient in front of everyone at the bar. If he was more sensible, he could’ve sold the recipe to Tipsy McStagger’s Good Time Drinking and Eating Emporium. Giving it for free in the way he did was a foolish move. And this reminds us that Homer doesn’t deserve fame and fortune either. 

In Mr. Plow, Homer nearly commits murder by misleading Barney out to Widow’s Peak where he gets caught in an avalanche. Luckily, he redeems himself by going out there and rescuing him. After stealing some of his business, of course. 

In both scenarios, Homer didn’t respond in the most moralistic way. He exhibited the if-I-can’t-have-it-then-they-couldn’t-have-it-either mentality. Still, both episodes return to neutral grounds, and he makes amends.

So which episode gets the point? For me, it’s not just about how Homer responds, but how his friend reacts in turn. The episode that ties it up the best, wrapping up the “stolen credit” theme in the most satisfying way is Flaming Moe’s. 

The last scene, where Moe offers Homer the drink with its original name, still melts my heart. And I believe that shows growth in the character that was missing from Mr. Plow. For that, the winner of this comparison goes to Flaming Moe’s. 

Flaming Moes: 4

Mr. Plow: 3

There you have it! Congratulations Flaming Moe’s. What an honor. 

Now there are many ways to measure and compare an episode. I chose to examine both through the lens of the theme and the story structure. If you disagree with this assessment or if you have an aspect that I missed in this article, please let me know in the comments. 

Check out these other articles about The Simpsons here:

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