Top 10 Crazy Car Concepts That Almost Made It

 

Posted by  | July 08, 2014 |
Originally published in Unhaggle.com

Car concepts, like fashion, can be creative, innovative, evocative and occasionally a complete faux pas. You can take a look at some failed vehicles on our list of the ugliest cars ever produced, if you need proof of how bad some designs can be.

During auto shows, concept cars are presented to both the public and the industry. It is there that car companies and designers get a chance to measure the overall reaction of their imaginative prototypes. It’s unlikely that these ambitious and unique vehicles would become the next Bugatti Veyron, but it’s a chance for the manufacturers to show everyone what is possible.

While some concept cars actually make it onto the assembly line, others fade away, only to be found in the obscure history books. Here are 10 crazy car concepts that came, went and even foreshadowed the next generation of automobiles.

10. Toyota RV-2 (1972)

Toyota RV-2

The Toyota RV-2 was a four-person camper and standard station wagon all in one. Inspired by the Volkswagen camper bus of the ‘70s, Toyota was trying to appeal to outdoorsy hippies as well as drivers who just wanted a practical vehicle. The innovative, yet far from revolutionary, clamshell roof opened up, revealing a canvas tent that offered a sleeping arrangement that was more comfortable than most backseat at the time.

The emerald green concept car made its debut at the Tokyo Motor Show in 1972 and received positive response from the public. However, it was not popular enough to be worthy of mass production on a wide market.

9. Honda Fuya-Jo (1999)

Honda Fuya-Jo

The Honda Fuya-Jo was built to be a “mobile sound studio,” even though it looks like an oversized purple toaster oven. Translated, Fuya-Jo means “Sleepless City” in Japanese, which make sense, because who can really sleep in this four-seater dance floor on wheels? Taking inspiration from modern clubbing culture, Honda has attempting to replicate the DJ’s mix table and offer a ride that simulates the nightlife experience.

Unfortunately, many feared that the Fuya-Jo might be sending a message that drinking and then driving to the after-party was all right, thus keeping it from the production line.

8. Dodge Kahuna (2003)

Dodge Kahuna

The Dodge Kahuna made some waves at the 2003 Detroit Auto Show, but has never really earned the approval of surfers, soccer moms or the free-spirited drivers who live along the coast. The six-passenger van, with its bulky cartoon-like exterior and its Stow N’ Go seating, was meant to take surfers and athletic types from the street to the beach with ease.

The polarizing impression that the Dodge Kahuna left on critics and the public sank the vehicle’s production potentials. You can even say that the van “wiped out.”

7. Aurora Safety Car (1957)

Aurora Safety Car

The Aurora Safety Car may just be the ugliest car ever conceived. The strange ameba design, with a smiley face grille and oblong windshield, is enough to disgust even he most tolerant drivers. The Safety Car was the first Experimental Safety Vehicle (ESV) to be manufactured.

But the story of Father Alfred A. Juliano, a Catholic priest and automobile manufacturer, was even more upsetting than the Aurora Safety Car’s appearance. Juliano funded the $30,000 prototype with some help from his congregation, but it ended up bankrupting him and the Aurora Motor Company.

However, the vehicle is now restored and can be seen in the Beaulieu Motor Museum in England.

6. Saab Aero-X (2006)

Saab Aero-X

The Saab Aero-X is the stunning and simplistic iCar that might have originated from Steve Jobs himself. The 180-degree canopy and fluid design gave the Aero-X the look of a fighter jet. Unlike the rest of Saab’s lineup, the Aero-X was simply not the direction the company wanted to gear towards. Yet, it was reassuring to know that the Swedish manufacturers were capable of making an elite vehicle that could reach 250 km/h.

5. Audi Avus (1991)

Audi Avus

The Audi Avus was ahead of its time in more than one way. The futuristic design with a 6.0-litre engine capable of producing 509 horsepower turned heads, but wasn’t able to change people’s mindset at the time. Few were convinced that Audi was capable of creating the super car, the Avus claimed to be.

The silver bullet that is the Avus was never meant for production since it was built mainly to prove that Audi was a powerhouse brand that towers above most car manufacturers. Today, the original Avus can be seen in the Audi Museum in Ingolstadt, Germany.

4. Lincoln Futura (1955)

Lincoln Futura

If the Lincoln Futura looks familiar, it’s because it was the Batmobile in the 1960’s television series. The clear-top bubble glass canopy is the defining feature of the UFO-like Futura. The concept car ended up bringing a lot of publicity for the company. Replicas were created for television and media appearances, and few were sold off for novelty sakes.

Although the Futura was a star at the time, it never saw production. However, it did serve as inspiration for other Lincoln vehicles such as the Premiere and Capri, which had a respectable run on the market.

3. Toyota EX-III (1969)

Toyota EX-III

The Toyota EX-III, modeled after the EX-I, is designed for the high-speed commute of tomorrow. Sadly, tomorrow has never really materialized for the EX-III, EX-I or any of the EXs afterwards. The flat body with semi-rear wheel covers, bumperless front, fish gills and tacky headlights remind us of all the design relics of yesteryears.

2. Mazda Furai (2007)

Mazda Furai

The Mazda Furai was the punk-rock speed demon that car lovers have dreamed of, but sadly, the vehicle’s legacy ended in a nightmarish fiery death. During a showcase at Top Gear’s road test in 2008, the Furai’s Batmobile fire-breathing exhaust caught fire with the engine bay. The whole vehicle was engulfed in flames, and in eight minutes, the beautiful concept was scorched. There was no resurrecting the Furai, as the horrible image had made sure of it. The resting place of the concept’s carcass is still unknown.

1. Ford Nucleon (1958)

Ford Nucleon

The Ford Nucleon, deemed the Atomic Car, was one of the most influential and iconic concept cars in history. Capable of running on nuclear power, the car was perhaps more of a mobile nuclear bomb than an energy saving initiative. Inspired by the functionality of nuclear submarines in the military, the vehicle was essentially an ironed-out red pickup truck. Still, you can imagine the chaos of a highway pileup or a congested urban accident, if all the vehicles involved were nuclear-powered, like this one was. Innovative, yes, but the Nucleon was just not meant for our rational world.

Office hours: Tuesday to Thursday

Would you rather have three-day workweeks or early retirement?

By Elliot Chan, Opinions Editor

Originally published in The Other Press. Aug 5, 2014

Opinions-3-day-work-week-e1407383823602

 

Go figure: a Mexican billionaire is suggesting that we should all convert to a three-day workweek—11 hours a day—in exchange for a later retirement at 70 or 75 years old. Business magnate, investor, and philanthropist, Carlos Slim, one of the richest people in the world, has gone on record in saying that people would live much happier lives if they were given four days to recover and relax.

I believe it! I know I would be much happier, spending four days lounging around not worrying about work, though granted I have never been employed in a nine-to-five kind of job. The hours add up, and working takes up a significant part of life. It would be a shame to waste it all, regardless of when your hours are and what your schedule is like.

Overall, I totally agree with him. I know personally that I am more productive after a long weekend than I am when my schedule is fully loaded and I’m rushing from one responsibility and obligation to the next. I like the idea of having an 11-hour workday, because I have a the-sooner-I-get-it-done-the-sooner-I-can-rest attitude. I also rarely ever consider retirement: I like what I’m doing and I hope I progress and pursue my career for as long as possible.

In North America, it’s not easy to get time off. We live in a work-first-rest-later society; a place where making money is the number one priority. Just look around and see how many people are sleep deprived. There is no doubt that a three-day workweek could change that workaholic mentality. I think we would all benefit from a little more time for socializing, a little more time for exercising, and a little more time for simple contemplation.

A 2008 survey conducted by the Families and Work Institute showed that 46 per cent of those given an option to have a condensed workweek chose to use it at one point or another, and 59 per cent of those who weren’t given such options, wished they had it.

The general public is split on that matter, because so many people are working for retirement. That is the ultimate goal in life, and I think that is the wrong mentality. Waiting for retirement to me is a scary gamble, because who knows if one will ever reach that finish line. Regardless of retirement, I think one needs to focus more on finding a work/life balance, regardless of the workweek.

We live our first 25 years without the fear of labour—if we are lucky—as we have our parents taking care of us while we get an education. Then we live the next 40-45 years working. After that, if we are really lucky, we get to retire and live for maybe another 15 years. That is a common reality to many.

Yes, I like Slim’s idea of a three-day workweek, but I prefer the Stefan Sagmeister’s way of thinking. Sagmeister, a graphic designer, spoke about taking five years out of those 15 retirement years and interspersing them in the 40 years or so of work life. He too believed that people needed breaks from working, but they shouldn’t be force to work well into their seniority either. Rather, people should be able to enjoy the world while they still have some semblance of youth. By having a yearlong sabbatical every seven years to relax, travel, pursue personal projects, rediscover career callings, and reassess life’s values, we can become healthier citizens and happier workers.

Time Traveller Magazine

cover

It’s time to get away!

In a fantastical world where time travel is a reality, Time Traveller Magazine is the go-to source for the best non-linear time travelling and vacationing content.


The Time Traveller Magazine was conceived as a school project for my professional writing program at Douglas College in 2013. It was arguably the assignment I was most passionate about. Time Traveller Magazine offered me an opportunity to stretch my imagination and experiment with publishing and design tasks that I would have otherwise removed myself from in normal settings. Coming from a hands-on filmmaking background, working on this magazine brought me back to my hankering for visual editing. I worried less about vocabulary, grammar, and sentence structures and focused more on the layout, the images, and the storytelling techniques that didn’t involve words necessarily. It was a rewarding experience and I am happy to share it with you all today.

Click Here to View the Time Traveller Magazine!

– Elliot Chan

Vancouver’s Unravel Brings Businesses and Customers Together Through Apple’s iBeacon

Vancouver-based Unravel recognizes that in our content-heavy world, consumers are often bombarded with irrelevant content—content that has imminent expiration or is calling to an improbable action. These types of engagement are fruitless for the brands and businesses and are annoying for everyone.

The old paradigm is that it was up to the brand to attract and nurture the consumers by reaching as far and wide as possible, but Unravel is enabling the consumers to meet the content and data halfway.

By using iBeacon technology developed by Estimote, Unravel is creating a new avenue for companies to communicate with the public. People with the Unravel app on their smartphone can one day walk up to a restaurant and instantly see the menu or approach a movie poster and get the nearest theatre location and show time.

Unravel offers three different models of content upon their dashboard: Webpage link that will show up as a browser, image that will tell a story through mobile swipe and a simple message such as “Welcome!”

“A great thing about this is that when you leave a location, you don’t leave all that content behind,” says Amit Aujla, cofounder of Unravel. “All the content gets compiled into the [Unravel] feed, so if there was something that you were interested in that popped up on your phone, you can come back to it later.”

Once the individual “Beacons” are implemented in a given service location, it will be capable of functioning in three different zones: Immediate (one meter), intermediate (five meters) and very far (25 meters).

“The main one that will be used by businesses will be the Immediate Zone,” Daniel Khatkar, cofounder of Unravel, told Techvibes, “because when you start going into the larger range, the radius gets really big. If you are on the other side [of a business] you might not necessarily want to receive information there.”

Unravel is not only using the iBeacon to send messages and entice customers, there is a lot of big data that can come from such a little device. The iBeacon can measure temperature and evaluate the number of occupancies in one area for a length of time. All this data can be instrumental for companies such as transportation, retail and event hosting that are seeking optimal costumer services and internal performance.

Currently Unravel is preparing to host a series of scavenger hunts in collaboration with established businesses. Participants will get to experience the new technology first hand and have a chance to win gift cards and event tickets. The app will be available shortly on the App Store and the scavenger hunt is set to commence in August.

“With the scavenger hunt, we want to show people how the technology works,” said Khatkar. “It’s an opt-in technology, if they don’t want to use it, at least they will know the purpose of the technology and what it is.”

Unravel offers brands and advertisers a broad platform to inform, promote and keep in touch with consumers. The scavenger hunt is the initial step for Unravel to gain traction, but the potential seems promising for this young company as they continue to educate the newfound value of iBeacon.

“I want businesses to contact other businesses and say, ‘I want to advertise on your Beacon in your store,’” said Khatkar. “Or if I’m an advertiser and I want to contact Uber or a cab company and put a Beacon in there—based on the demographic—then I’ll have a target audience.”

Format’s Relaunch And Rebranding Takes Online Portfolios To The Next Level

Earlier this month, the popular online portfolio platform 4ormat underwent a rebranding and relaunch.

Since 2010, Toronto-based 4ormat—now Format—has been the choice for tens of thousands of creative professionals across 125 countries. Showcasing work is a vital part of every creative’s business and life, so the platform becomes an extension of what the person does. Like a suit for a businessman, the webpage needs to look good and feel good.

Many web-building applications have immerged on the scene since then, and users are beginning to identify new demands: mobile flexibility; fluid, clean and speedy presentation and enhanced managing features. Format, of course, is all about accommodating those needs.

“Our goal was always to run a sustainable business,” Lukas Dryja, CEO of Format, told Techvibes, “and by having that goal, we needed to innovate everyday, so that we are building the best product possible.”

Still Format stresses the importance of customizability and simplicity, understanding that most photographers, illustrators, painters and artists aren’t fully capable of designing, building and managing a website without a little handrail to guide them.

“Late last year we reviewed every interface inside our app. Based on our findings we decided the best solution is a fresh start,” said Dryja. “Basically, we looked at the entire system holistically and designed the solution that appealed to users as well as provide a framework for us to use down the road.”

Format prizes itself by having a shallow learning curve and an easy to grasp usability. Users begin by selecting a theme, a style in which the work will be displayed. It could be a slideshow, an album of thumbnails or an interactive scrolling feature. Included in the interface is the theme editor, a feature that enables users to fine-tune detailed elements of the portfolio. Not only is the background and colour customizable, but also the size of images, how visitors interact with the content and what the padding, spacing, etc. looks like when published. And all that is accessed through a simple drag-and-drop design that makes adding and modifying works quick and easy.

“The need was always to create a professional website,” said Dryja, “and the way that someone would have to get there—previously to Format—was a very long and rigorous process. With Format, someone can have a website up in five minutes. And that was the unprecedented jump for people.”

So how does Format balance the demand for more customizable features and the straightforwardness of the application? That is a question the team at Format ask each other, and that is the fine line the design-oriented company walks on a daily bases.

Artists are known to experiment and try new things, and Format is taking some inspiration from their users. The platform’s relaunch, coinciding with the rebranding and redesign, is a wonderful reminder of what artist, entrepreneurs and designers can do when they all work together to present truly moving works and create new standards across all industries.

Harold “John Cho” Escapes From Cinematic Barriers

Asian actors in Hollywood are often marginalized—appearing on screen as the nerdy sidekick, the straight lace academic, or the unappealing best friend. When they are casted as leads, they are commonly playing goofy-ball characters (Ken Jeong) or action heroes (Jackie Chan) and rarely do we see them in the foreground.

Ask yourself: When was the last time you saw a legitimate Asian male actor appearing on a poster or a billboard, promoting their film? Almost never. Because such a case almost never happens. While the Ryan Goslings and the Joseph Gordon-Levitts out there winning the hearts of North America, Asian actors are left holding the scripts in slight disappointment. It’s clear that even in 2014, there is a glass ceiling for such talented performers.

John-Cho-in-Harold-Kumar-Go-to-White-Castle-john-cho-15122432-853-480

Well, all that is changing now… at least for the moment, thanks to John Cho.

South Korean actor, Cho—famous for his works in the cult-stoner flick Harold and Kumar Go to White Castle and its subsequent sequels and, of course, the rebooted Star Trek movie—is paving the way for young aspiring Asian actors. As more and more casting directors are leaning toward colour-blind casting, Asian actors may never have to do demeaning accents ever again.

“I would call this revolutionary. It’s certainly a personal revolution for me,” said John Cho. “Asians narratively in shows are insignificant. They’re the cop, or the waitress, or whatever it is. You see them in the background. So to be in this position . . . is a bit of a landmark.”

Cho, who began his career in 1996 as a member of LA’s Asian American Theatre organization East West Players, will be co-staring in a new television series entitled Selfie on ABC. The 42-year-old actor will play the romantic lead, Henry, alongside Karen Gillan from Doctor Who.

What do you think about Cho’s new gig? Will the floodgate of work open up for other Asian actors? Or is Cho a token in a discriminating industry?

Will you watch his new show Selfie this fall?

Fact or Friction: Should writers stay within their cultural know-how when it comes to fiction?

Fiction writers face many challenges: plots, settings, and lack of coffee. But one specific writing quandary has been puzzling established and emerging writers alike, and there doesn’t seem to be an easy “brew” button to solve it: what is the range of liberties writers have when they dare to construct characters outside of their cultural understanding?

For example: is it kosher for a Caucasian writer to write about an Asian war veteran? Some would say, “Absolutely! It’s just a story,” while others would say, “Absolutely not! It’s not their story to tell.”

 

chinese-keyboard

In a recent New York Times article, Roxanne Robinson, author of Sparta—a novel set in war-torn Iraq, a place she fictionalizes for her tale—reminds us that the line between fact and fiction, even in creative writing, is not always clear and should be approached with caution, empathy, and research.

Are you a writer? What are your thoughts on this subject?

Read Robinson’s New York Times articleHERE.

Smartphones and dumb phobia

Sooner or later, you’ll have a smartphone

By Elliot Chan, Opinions Editor
Formerly published in The Other Press. July 3, 2014

One in five people currently owns a smartphone on planet Earth. That is quite remarkable, since five years ago I was convinced that I might never get one. I personally didn’t want to be a slave to my phone. But once I felt the sleek design of the iPhone 4 and engaged with the user-friendly interface, I knew that I wasn’t going back. I’m not sure if I’ve gone to the dark side or not, but my life has gotten significantly easier with a smartphone in my life.

Embrace technology. Believe it or not, we’re already slaves to it. We rely on technology for every little thing in our lives, from making a cup of coffee to saving people from traumatic injuries. Technology is the hammer and nails that built our houses, as well as the app that tells us how to get to our friends’ houses. It’s true that hammers can be used maliciously just as the Internet can be, but as long as the number of good uses is greater than the number of bad, we can’t really argue with it.

As mobile devices and wearables get more advanced in our society, it’s important for us to utilize it and learn as much as we can. The sooner we know how to operate it, the better off we’ll be. Technology does not have to be an addiction. Technology can also be a good habit to help you live a better, healthier life.

Have you ever seen a child operate an iPad more proficiently than their parents or grandparents? It’s cute, but that bar is also being raised every day. Soon we’ll be the inept parents and grandparents, unable to update to the next version of iTunes on our Google Glass. We’ll be asking our kids and grandkids to help. While that might seem like the inevitable passing of the torch, I don’t believe our generation will suffer that fate if we continue to progressively learn and use new technology as it comes along.

Sure, it doesn’t make sense for software and Facebook to change every few months for no real immediate purpose, but we shouldn’t judge technological leaps upon their inception. While many designers, engineers, and manufacturers are still working out the kinks for wearables, such as smartwatches and Google Glass, we should be excited for these new innovations—disruptive as they are.

Everyone will have a smartphone one day, because it will become the standard as innovations continue to make strides. If you’ve been resistant to new technology for so long now, you probably won’t be convinced by me, but I’m just saying that the longer you go without it the more handicapped you’ll be should smartphones be imposed on you one day.

In an Email-Overload Work Culture, Nugg Connects Teams More Effectively

Nugg, a workplace collaboration tool based in Vancouver, understands that every morning, consulting, IT, sales, corporate and communication team members across the globe wake up to the smell of coffee and the often tricky task of emptying their email inbox.

Not surprisingly, the increased volume of digital correspondences has made it difficult to track key decisions, relay messages and identify success and failure throughout the course of a disorganized message thread.

It is the standard, but it is far from perfect. Miscommunication or misplaced messages ends up causing impactful errors that waste time, energy and money.

Nugg breaks workplace communication down into four categories: Focus, decide, track and align. This enables team members to mark each significant message as such, helping the whole team collaborate better and succeed long-term.

“A lot of people live in email,” said Tris Hussey, director of customer success at Nugg Solutions Corp., “and we are not going to fight that trend. It’s a really interesting dichotomy, where we know people are looking for tools that will help keep their team on track above the area of having meetings, emails and task managers.”

It is not good enough for Nugg to simply operate on its own; it must work seamlessly with other platforms, not just forwarding emails, but also completing the round trip. If a worker wants to do everything on Gmail, they can, and that’s the beauty of Nugg.

“Teams don’t often communicate their decisions well or quickly,” said Hussey. “They don’t track or connect decisions with goals. And then they never review their decisions. With this first iteration of [Nugg], you can see the decision records and everything you decided in the past on a particular team. There you can go: ‘Oh yeah, that was a bad decision’ or ‘Yeah! That was a great decision, we took a risk and we made it.’ Before that you don’t really have a record of that.”

According to the work by Professor Alex Pentland of MIT Media Lab, truly effective teams have a high level of energy, engagement and exploration. Energy can be the act of discussing, brainstorming or negotiating, while engagement is the reaction to the energy, should it be a nod of comprehension or feedback to what has been said. Finally, exploration is the act of bringing in new external ideas that has yet to be present within the team. Nugg is currently promoting energy and engagement within workplace, while refining the capability to explore within the platform.

Nugg wants teams to focus on the big picture by allowing the whole team to see what is happening above, below and all around them. The transparency of the application is an important aspect in terms of building a free flowing communication highway with the various company goals as clear destinations.

“We believe teams are more than just projects,” said Hussey. “They are bigger than projects. And there are things that people need to talk about that are bigger than what will happen day-to-day. If I have a project today to update the website, that’s just a facet of the entire mission of the company.”

Hussey added, “It’s the idea of capturing information, ideas and progress in a way that isn’t lost in emails or chats. Someone can say something really brilliant in chat, but if you come back to it five hours later, are you going to see it? No. But in Nugg, you’ll see it.”

Warning signs ignored

 

Lacklustre earthquake should alert us, not relieve us

Opin_Vancouver-earthquake

 

By Elliot Chan, Opinions Editor
Formerly published in The Other Press. July 3, 2014

I didn’t crawl under my table during the 6.7-magnitude earthquake near Vancouver Island on April 24. In fact, I didn’t even notice until my social media erupted with comments concerning the swaying of homes and buildings.

I walked away from the situation slightly relieved that the worst that had happened was the reminder that I was spending too much time on the Internet and that I was so unprepared for natural disasters.

But give me a break, it’s hard to think about the collapse of my city when I’ve got so many other immediate things to worry about—that’s right, I’m saying that I’m not the only one who didn’t go under a table or quickly locate the emergency kit. If you did feel the shake, you were probably too busy enjoying the novelty to notice what it was. Preparing for an earthquake is just not a human instinct.

Still I don’t remember a time in my life where I wasn’t anticipating “the Big One,” the name of the megathrust earthquake that was prophesied to hit the Pacific Coast of Canada and the United States in the (very) near future. Images of Japan, Indonesia, and Chile remind me that earthquakes are nothing to joke about. Should it hit with the force predicted, my life would shift, like if I was diagnosed with a terminal illness. At this current state of preparedness, I just hope to survive if the Big One hits.

The earthquake earlier this year was a reminder that our government, our emergency teams, and we citizens are never going to be ready for an earthquake. There is just no such thing as “ready.” There is no saying when it would hit and where you would be. Sure, there are protocols to follow after the incident and there are measures to be taken to mitigate damage, but aside from that it’s a crapshoot. I believe natural disasters occur with the consistency of lottery tickets—you might be lucky enough to survive or you might be less lucky.

Individually, we cannot do much after an earthquake, but together we can pump money into funding that will help us survive in the aftermath. Emergency Management BC currently supplies $6.2 million of funding to “emergency services.” There is no plan to increase the figure since no one can really assess the damage before it occurs. Money is one thing, but having experienced teams prepared is another.

Civilians need to know what to do after the earthquake. What would people downtown do? What would people on the coast of Vancouver Island do? What would people sleeping at home do? What about the people commuting on a highway? The government should go into some length explaining the proper procedures following the quake and the aftershocks.

We need a plan we can all follow, because cluelessness will surely lead to chaos. I am often clueless without my social media—and lord knows I won’t have that after the Big One knocks out my Wi-Fi.

Hiding under the table is one thing, but we need to know what to do once we emerge.